Thursday, February 9, 2012

Honky Tonkin’ in Nashville

November 3, 2009 by Craig Guillot  
Filed under City Slicker, Feature Articles, Featured

Nashville Skyline. Courtesy of Nashville Convention and Visitors Bureau.

Nashville Skyline. Courtesy of Nashville Convention and Visitors Bureau.

NASHVILLE, Tenn. – On any given night, country music flows from the honky tonk bars on Broadway Avenue in Nashville. Tucked between 4th and 5th Avenues, Honky Tonk Row is a tightly-packed block of hole-in-the-wall joints where men and women with wide-brimmed cowboy hats and shiny boots play their hearts out in a haze of cigarette smoke and neon lights. Far more than just an epicenter of country music, Nashville is a birthplace of songs that stretches further and wider than most people realize.

Dubbed “Music City U.S.A.” back in 1950 by announcer David Cobb on Red Foley’s NBC Radio Show, Nashville has embraced its title and established itself as a headquarters for original music. Downtown, it’s just as common to see people walking with guitars as it is with briefcases and people come from all over the country to make and break musical careers here. From the Grand Old Opry and the Ryman Auditorium to the dim stages of the clubs on Broadway, musicians truly find what they’re made of when they get here.

According to some estimates, there are thousands of people trying to make musical careers in Music City. They can be found just about everywhere – washing dishes in restaurants, on flyers plastered on the sides of downtown buildings and peddling their albums on street corners and out of the back of their cars. Some will go on to become household names while others will pack up and leave or eek out livings in low-paying jobs. Randy Travis once worked as a cook at the Nashville Palace; Kathy Mattea worked as a tour guide at the Hall of Fame; and Bluebird Café bartender Mark Irwin wrote the Alan Jackson hit “Here in the Real World.”

Tucked between the honky tonks on Broadway, Hatch Show Print is one of the oldest press poster shops in the country and a first stop for self-promoting artists. Founded in 1879, it creates handbills and posters for acts and events all over the Southeast. The images and posters covering the walls bring visitors to a bygone era of entertainment before the advent of mass advertisements. When the Opry started in the ‘30s, they found one of the most effective ways to advertise it was through placing cards in the windows of businesses. Hatch Show Print, which now creates posters for clients such as Nike and Bruce Springsteen, still uses old-fashion wood-engraved blocks.

Live Music in Music City (Jimmy Hall). Courtesty of Mike Rutherford/Nashville Convention and Visitors Bureau.

Live Music in Music City (Jimmy Hall). Courtesty of Mike Rutherford/Nashville Convention and Visitors Bureau.

Honky Tonk Row is quite unique in that there is rarely, if ever, a cover charge to get into the clubs. Musicians rely on tips and donations from guests – every couple of songs, a barmaid or band member will wander through the crowd with a bucket. It is said that Willie Nelson started playing at Tootsie’s for only tips and felt there should never be a cover charge to see live music on the row. Locals, country star wannabes and tourists all mix, mingle and shake their legs while musicians bounce from club to club with guitar in hand.

Just about everything in Nashville can relate to or can be traced to music in one way or another. The city is home to the world-famous Country Music Hall of Fame, the Country Music Television network, and it seems as if there is a mini-museum or a handful of shrines to one musician or another in just about

Country Music Hall of Fame and Museum. Nashville Convention and Visitor's Bureau.

Country Music Hall of Fame and Museum. Nashville Convention and Visitor's Bureau.

every establishment in Nashville. Restaurants, bars, gift shops, even clothing stores and pawn shops all pay homage to the local music Gods. And just when you thought you couldn’t escape it all, there’s an autographed record of some musical legend in the bathroom.

Relocated to its 130,000 square-foot, three story landmark building in 2001, the Country Music Hall of Fame glorifies everything the struggling artists and songwriters of Nashville are seeking. Covering the long history of country music from its rural roots to modern popularity, it features dozens of glass cases house artifacts, photos, instruments and costumes. Even those who have only the mildest interest in country music will gain a greater appreciation once setting foot in Nashville. Musical legends from all genres—a from Jimmy Hendrix and Roy Orbison to Elvis Presley—have all left seeds in the city.

Regular tours leave the museum and take visitors to Studio B, known as one of the cradles of the “Nashville sound” back in the 60s. Built in 1957, it helped establish the city as an international recording center and has given birth to over 1,000 top-ten hits, hosting hit makers like Willie Nelson, Chet Atkins, Dolly Parton, Roy Orbison and the Everly Brothers. Studio B’s most famous guest was Elvis Presley, the King of Rock ‘n’ Roll who recorded more than 200 hits there.

Just blocks away from the Hall of Fame is a great place to learn about the roots of the Grand Ole Opry. Opened in 1892, it is known as the “Mother Church of Country Music” and it was home to Opry from 1943 to 1974. As the world’s longest running live radio program, its performers have been broadcast to millions around the country.

Today, the Opry is held in its own theatre that seats more than 4,000 people and fills up almost every weekend. It showcases a great diversity of country music, with traditional and modern acts and a great variety of surprises. Performers have included Garth Brooks, Ricky Scaggs, Clint Black, Dolly Parton, Trisha Yearwood, Vince Gill and more. For about twenty dollars, guests can hear a three-hour sampling of both country newcomers and legends.

While stardom is big and bright in Nashville, many visitors might be surprised to find an entire subculture of musicians that haven’t the slightest desire to be famous, just the drive to write good music. They can be found almost every night in places like the Bluebird Café, Tootsie’s Wild Orchid Rose Lounge and Robert’s Western World. Unknown names like Gary Burr—who has written songs for performers like LeeAnn Rimes, Garth Brooks, Faith Hill, Michael Bolton and Lynyrd Skynyrd—represent the unsung heroes of the music world.

Where to Stay:

For a musical stay near downtown, head to the Loews Vanderbilt Hotel, 2100 West End Ave., (615) 320-5019, . It features an impressive collection of autographed records, memorabilia, a jukebox in the lobby and a staff that is very knowledgeable on the local music scene.

With nine acres and almost 3,000 rooms in Music Valley the gargantuan Opryland Hotel, 2800 Opryland Drive, (888) 777-6779, is one of the largest resorts in the world.

For historic charm and a central location, head to the Wyndham Union Station, 1001 Broadway, (615) 726-1001, . The lobby is a former main hall of a railway station.

Where to Eat:

Nashville is filled with cheap barbecue and bar food but there are a number of places that combine food with great live music. Many of these places center around Broadway and Second Ave.

B.B. King’s Blues Club, 152 Second Ave., (615) 256-2727, , serves great Tennessee cuisine and features live blues every night.

Just a block off Broadway, Wildhorse Saloon, 120 Second Ave., (615) 902-8200, features great steaks and barbecue, live music, dancing and plenty of great times.

For a great brunch after a late night at the honky tonks, head to the Pancake Pantry, 1796 21st Ave., (615) 383-9333, for countless flapjack creations and southern-style breakfasts.

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One Response to “Honky Tonkin’ in Nashville”
  1. Jesse says:

    Nashville is a pretty cool place even if you dont like country music. Be sure to check out the Tin Roof bar too.

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